Bibliographie

Primärliteratur

  • Crothers, Rachel. He and She. In: American Representative Plays. Ed. Arthur Hobson Quinn. 1st ed. New York, NY: The Century Company, 1917. 925-962. [Siglum HS1]

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  • Crothers, Rachel. He and She. In: Representative American Plays. Ed. Arthur Hobson Quinn. 2nd, rev. ed. New York, NY: The Century Company, 1920. 925-962. [Siglum HS2]

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  • Crothers, Rachel. He and She. In: American Drama: Colonial to Contemporary. Eds. Gary A. Richardson and Stephen Watt. Fort Worth: Harcourt Brace College Publ., 1995. 301-335.

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  • Crothers, Rachel. He and She. 1920. Brooklin, ME: Feedback Theatrebooks & Prospero Press, 2001.

  • Crothers, Rachel. A Man’s World. In: American Plays of the New Woman. Ed. Keith Newlin. Chicago, IL: Ivan R. Dee, 2000. 86-139.

  • Crothers, Rachel. Mary the Third. In: Mary the Third, „Old Lady 31“, A Little Journey: Three Plays by Rachel Crothers. New York, NY: Brentano’s Publishers, 1923. 1-105.

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  • Edel, Leon (Ed.). The Complete Plays of Henry James. London: Hart-Davis, 1949a.

  • A Free Woman: My Own Story of My Emancipation.“ o.N. The Ladies’ Home Journal Vol. 31, No. 8 (August 1914), 7-8, 41, 44-45; Vol. 31, No. 9 (September 1914), 13-14, 44-45, Vol. 31, No. 10 (October 1914), 15-16, 83.

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  • Gale, Zona. Miss Lulu Bett. In: Plays by American Women, 1900-1930. Ed. Judith E. Barlow. New York, NY: Applause, 2001. 87-161. [Siglum MLB für Akt I und II; Siglum MLB IIIOV für den ursprünglichen Schlussakt; Siglum MLB IIIRV für den revidierten Schlussakt]

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  • Gale, Zona. Miss Lulu Bett. An American Comedy of Manners. New York & London: D. Appleton & Company, 1921.

  • Gale, Zona. Miss Lulu Bett. Silent Movie. Dir. William C. deMille. USA. Paramount Pictures, 1921. [Siglum MLBSF]

  • Gale, Zona. Miss Lulu Bett. New York, NY: D. Appleton & Company, 1920. [Erstausgabe der Romanfassung]

  • Glaspell, Susan. Trifles. In: Plays by American Women, 1900-1930. Ed. Judith E. Barlow. New York, NY: Applause, 2001. 70-86.

  • Herne, James A. Margaret Fleming. In: Representative American Plays: From 1767 to the Present Day. Ed. Arthur Hobson Quinn. 6th, rev. & enl. ed. New York, NY: Appleton-Century-Crofts, 1938. 513-544. [Siglum MF]

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  • Meserve, Walter J. (Ed.). The Complete Plays of William Dean Howells. New York, NY: New York University Press, 1960a.

  • Morton, Martha. A Bachelor’s Romance: An Original Play in Four Acts. [1896/1912]. Whitefish, MT: Kessinger Publishing, 2007.

  • Thomas, Augustus. As a Man Thinks. In: American Plays of the New Woman. Ed. Keith Newlin. Chicago, IL: Ivan R. Dee, 2000. 140-206.

  • Wentworth, Marion Craig. The Flower Shop: A Play in Three Acts. Boston, MA: R. G. Badger, 1912. [Siglum TFS]

  • Wentworth, Marion Craig. War Brides. A Play in One Act. The Century Magazine (February 1915), 527-550.

  • Wentworth, Marion Craig. War Brides. New York, NY: Century Co., 1915.

  • Wentworth, Marion Craig. Iridescent Days: Poems. Santa Barbara, CA: J.F. Rowney Press, 1939.

Sekundärliteratur

Anonym verfasste Zeitungsartikel (alphabetische Ordnung nach Zeitungstiteln):

  • The Daily Times: The Five O’Clock Edition

  • „‚Miss Lulu Betts‘ [sic] Deserves Your Patronage.“ The Daily Times: The Five O’Clock Edition (October 10, 1921), n.p.

  • „Miss Lulu Bett Is Praised By Richmond Critic.“ The Daily Times: The Five O’Clock Edition (October 8, 1921), n.p.

  • The Evening Star

  • „Amusements.“ The Evening Star. Washington D.C. (October 11, 1921), 17.

  • The Herald

  • „Movies & Theaters. Shubert St. Charles Theatre.“ The Herald (November 10, 1921), n.p.

  • The New York Herald

  • „Columbia Awards Medals and $30,000 Prizes in the Arts.“ The New York Herald (May 30, 1921), 7.

  • „The 20 Books Most Widely Read.“ The New York Herald (January 4, 1921), 5.

  • The New York Times

  • „Zona Gale Receives $1,000 Award for Original American Play, ‚Miss Lulu Bett‘.“ The New York Times (May 30, 1921), n.p.

  • „‚Miss Lulu Bett‘ at Sing Sing.“ The New York Times (December 27, 1920), 15.

  • „Play to Open at Sing Sing. ‚Miss Lulu Bett‘ Will Be Christmas Performance at Prison.“ The New York Times (December 20, 1920), 4.

  • „Books and Authors.“ The New York Times (November 28, 1920), 56.

  • „Mr. Galsworthy in War and Peace. Miss Lulu Bett by Zona Gale.“ The New York Times (March 28, 1920), X1.

  • „The History of He and She.“ The New York Times (February 22, 1920), X6.

  • The New York Tribune

  • „‚Lulu Bett‘ To Be Filmed.“ The New York Tribune (August 14, 1921), 2.

  • „More Eulogizing for Lulu!“ The New York Tribune (January 31, 1921), 6.

  • „Miss Lulu Bett. An unusual novel by Zona Gale.“ The New York Tribune(April 25, 1920), 11.

  • The Saturday Review of Literature

  • „The New Books.“ The Saturday Review of Literature (February 14, 1925), 529.

  • The Washington Herald

  • „Zona Gale Reached Life-Time Ambition in ‚Miss Lulu Bett‘.“ The Washington Herald (October 9, 1921), IV1.

  • „‚Miss Lulu Bett‘ Begins Engagement at Garrick.“ The Washington Herald (October 9, 1921), IV1.

Sekundärtexte (alphabetische Ordnung nach Autoren):

  • Abramson, Doris. „Rachel Crothers: Broadway Feminist.“ Modern American Drama: The Female Canon. Ed. June Schlueter. Rutherford et al.: Fairleigh Dickinson Press et al., 1990. 55-65.

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  • Ackerman, Alan. „Infelicities of Form in Zona Gale’s Miss Lulu Bett.“ Journal of American Drama and Theatre 16.1 (2004), 50-68.

  • Adams, Rachel and David Savran (Eds.). The Masculinity Studies Reader. Malden, MA: Blackwell, 2008.

  • Ahrens, Rüdiger. „Motivgeschichtliche Aspekte der new woman im englischen Drama der Jahrhundertwende.“ [1990]. Anglophone Kulturwissenschaft und Englische Fachdidaktik. Gesammelte Aufsätze von Rüdiger Ahrens. Hg. Matthias Merkl und Laurenz Volkmann. Heidelberg: Universitätsverlag Winter, 2004. 275-297.

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  • Allrath, Gaby und Marion Gymnich. „Feministische Narratologie.“ Neue Ansätze in der Erzähltheorie. Hg. Vera Nünning und Ansgar Nünning. Trier: WVT, 2002. 35-72.

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  • Ammons, Elizabeth. „The New Woman as Cultural Symbol and Social Reality. Six Women Writers’ Perspectives.“ 1915, The Cultural Moment. Eds. Adele Heller and Lois Rudnick. New Brunswick, NJ: Rutgers University Press, 1991. 82-97.

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  • Anderson, Bonnie S. Joyous Greetings: The First International Women’s Movement, 1830-1860. New York, NY: Oxford University Press, 2000.

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  • Angermuller, Johannes. „Einleitung. Diskursforschung als Theorie und Analyse. Umrisse eines interdisziplinären und internationalen Feldes.“ Diskursforschung. Ein interdisziplinäres Handbuch. Band 1: Theorien, Methodologien und Kontroversen. Hg. Johannes Angermuller et al. Bielefeld: transcript Verlag, 2014. 16-36.

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  • Ann Flaxman, The Sculptor’s Assistant.“ Women of Worth: A Book for Girls. Illustrated by W. Dickes. Editor unknown. New York: James G. Gregory, 1863. 263-266.

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  • Antoniazzi, Barbara. „‚No Guidance in Regard to Herself‘: Immigrants, Workers and American Womanhood in the Progressive Era.“ Machine: Bodies, Genders, Technologies. Eds. Michaela M. Hampf and Maryann Snyder-Körber. Heidelberg: Universitätsverlag Winter, 2012. 159-180.

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  • Arnold, John H. and Sean Brady (Eds.). What is Masculinity? Historical Dynamics from Antiquity to the Contemporary World. Basingstoke: Palgrave Macmillan, 2013.

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  • Asmuth, Bernhard. Einführung in die Dramenanalyse. Stuttgart: Metzler, 5 1997 [1980].

  • Atkinson, Brooks. Broadway. London: Cassell, 1970.

  • Atlas, Marilyn Judith. „From Novel to Plays: Zona Gale and the Marriage Plot in Three Versions of Miss Lulu Bett.“ Midwestern Miscellany 30 (2002), 35-43.

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  • Auberlen, Eckhard. „New Historicism.“ Literaturwissenschaft in Theorie und Praxis. Eine anglistisch-amerikanistische Einführung. Hg. Ralf Schneider. Tübingen: Gunter Narr, 2004. 83-115.

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  • Auflitsch, Susanne. Staging Separate Spheres: Theatrical Spaces as Sites of Antagonism in One-Act Plays by American Women, 1910-1930. Frankfurt am Main: Peter Lang, 2006.

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  • Bach, Gerhard. Susan Glaspell und die Provincetown Players: Die Anfänge des modernen amerikanischen Dramas und Theaters. Frankfurt am Main: Lang, 1979.

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  • Bachorz, Stephanie. „Zur Analyse der Figuren.“ Einführung in die Erzähltextanalyse: Kategorien, Modelle, Probleme. Hg. Peter Wenzel. Trier: WVT, 2004. 51-67.

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  • Barker, Deborah. Aesthetics and Gender in American Literature: Portraits of the Woman Artist. Lewisburg, PA: Bucknell University Press, 2000.

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  • Barlow, Judith E. (Ed.). Women Writers of the Provincetown Players: A Collection of Short Works. Albany, NY: State University of New York Press, 2009.

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  • Barlow, Judith E.Miss Lulu Bett.“ The Columbia Encyclopaedia of Modern Drama. Vol. 2: M-Z. Eds. Gabrielle H. Cody and Evert Sprinchorn. New York, NY: Columbia University Press, 2007. 912.

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  • Barlow, Judith E.Introduction.“ Plays by American Women, 1900-1930. Ed. Judith E. Barlow. Rev. ed. New York, NY: Applause, 2001. ix-xxxiii.

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  • Barlow, Judith E.Crothers, Rachel.“ Contemporary Women Dramatists. Ed. Kathryn A. Berney. London: St. James Press, 1994a. 50-53.

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  • Barlow, Judith E.He and She by Rachel Crothers.“ Contemporary Women Dramatists. Ed. Kathryn A. Berney. London: St. James Press, 1994b. 291-292.

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  • Baßler, Moritz. „Einleitung: New Historicism – Literaturgeschichte als Poetik der Kultur.“ New Historicism. Literaturgeschichte als Poetik der Kultur. Hg. Moritz Baßler. Tübingen & Basel: A. Francke, 2 2001. 7-28.

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  • Baumol, William J. and William G. Bowen. Performing Arts – The Economic Dilemma. New York, NY: Twentieth Century Fund, 1966.

  • Bederman, Gail. Manliness & Civilization: A Cultural History of Gender and Race in the United States, 1880-1917. 4th print. Chicago, IL: University of Chicago Press, 2000.

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  • Beinroth, Anja et al. Feministische Literaturtheorie.“ Metzler Lexikon Literatur- und Kulturtheorie: Ansätze – Personen – Grundbegriffe. Hg. Ansgar Nünning. Stuttgart: Metzler, 4 2008. 190-194.

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  • Belasco, David. „The Theatrical Syndicate. One Side.“ Cosmopolitan 38 (December 1904), 193-198.

  • Benchley, Robert C.Foreword.“ Miss Lulu Bett: An American Comedy of Manners. New York, NY: D. Appleton, 1921. xiii-xxvi.

  • Benthien, Claudia und Inge Stephan (Hg.). Männlichkeit als Maskerade. Kulturelle Inszenierungen vom Mittelalter bis zur Gegenwart. Köln: Böhlau, 2003.

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  • Berger Maurice et al. (Eds.). Constructing Masculinity. New York, NY: Routledge, 1995.

  • Berkowitz, Gerald M. American Drama of the Twentieth Century. London & New York: Longman, 1992.

  • Bernheim, Alfred L. The Business of the Theatre. An Economic History of the American Theatre, 1750-1932. New York, NY: Benjamin Blom, 1964 [1932].

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  • Berns, Ute. „Grice, H. Paul.“ Metzler Lexikon Literatur- und Kulturtheorie. Hg. Ansgar Nünning. Stuttgart: Verlag J.B. Metzler, 4 2008. 267-268.

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  • Betten, Anne. „Analyse literarischer Dialoge.“ Handbuch der Dialoganalyse. Hg. Gerd Fritz und Franz Hundsnurscher. Tübingen: Niemeyer, 1994. 519-544.

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  • Betten, Anne and Monika Dannerer (Eds.). Dialogue Analysis IX: Dialogue in Literature and the Media, Selected Papers from the 9th IADA Conference, Salzburg 2003, Part I: Literature. Tübingen: Niemeyer, 2005.

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  • Betten Anne und Jürgen Schiewe (Hg.). Sprache – Literatur – Literatursprache. Linguistische Beiträge. Berlin: Erich Schmidt Verlag, 2011a.

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  • Betten Anne und Jürgen Schiewe. „Vorwort.“ Sprache – Literatur – Literatursprache. Linguistische Beiträge. Hg. Anne Betten und Jürgen Schiewe. Berlin: Erich Schmidt Verlag, 2011b. 7-12.

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  • Bigsby, C.W.E. and Don B. Wilmeth. „Introduction.“ The Cambridge History of American Theatre. Volume II: 1870-1945. Eds. Christopher Bigsby and Don B. Wilmeth. Cambridge: Cambridge University Press, 1999. 1-23.

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  • Bilderback, Riann. „Male Fraud: Zona Gale Travesties Patriarchy in Miss Lulu Bett.“ Midwestern Miscellany 31 (2003), 17-23.

  • Black, Cheryl. The Women of Provincetown, 1915-1922. Tuscaloosa, AL: University of Alabama Press, 2002.

  • Böhnisch, Lothar. Die Entgrenzung der Männlichkeit. Verstörungen und Formierungen des Mannseins im gesellschaftlichen Übergang. Opladen: Leske + Budrich, 2003.

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  • Böker, Uwe und Christoph Houswitschka. „Literaturwissenschaft.“ Einführung in die Anglistik und Amerikanistik. Hg. Uwe Böker und Christoph Houswitschka. München: Beck, 2 2007. 165-251.

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  • Bonin, Jane F. Major Themes in Prize-Winning American Drama. Metuchen, NJ: Scarecrow Press, 1973.

  • Bommer, Lawrence. „Miss Lulu Bett. Center Theater.“ Chicago Reader. Performing Arts Review. Review. (February 4, 1988). URL: https://www.chicagoreader.com/chicago/miss-lulu-bett/Content?oid=871735 (zuletzt aufgerufen: 13.12.2019).

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  • Borgmeier, Raimund. „Werkimmanente Interpretation.“ Metzler Lexikon Literatur- und Kulturtheorie: Ansätze – Personen – Grundbegriffe. Hg. Ansgar Nünning. Stuttgart: Metzler, 4 2008. 760-763.

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  • Bourrier, Karen. The Measure of Manliness: Disability and Masculinity in the Mid-Victorian Novel. Ann Arbor, MI: University of Michigan Press, 2015.

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  • Bracher, Mark. „From Antisocial to Prosocial Manhood: Shakespeare’s Rescripting of Masculinity in As You Like It.“ Configuring Masculinity in Theory and Literary Practice. Ed. Stefan Horlacher. Leiden: Brill Rodopi, 2015. 95-125.

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  • Brandt, Stefan Leonhardt. Inszenierte Männlichkeit: Körperkult und ‚Krise der Maskulinität‘ im spätviktorianischen Amerika. Berlin: WVB Wissenschaftlicher Verlag Berlin, 2007.

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  • Brandt, Stefan Leonhardt. Männerblicke: Zur Konstruktion von ‚Männlichkeit‘ in der Literatur und Kultur der amerikanischen Jahrhundertwende. Stuttgart: M&P, Verlag für Wissenschaft und Forschung, 1997.

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  • Bressler, Charles E. Literary Criticism. An Introduction to Theory and Practice. 2nd printing. Boston, MA: Longman, 5 2011 [1994].

  • Brock Pemberton, (1885-1950)“. Kansas Biographical Dictionary. St. Clair Shores, MI: Somerset Publishers, 2 2000 [1993]. 392-396.

  • Brod, Harry (Ed.). The Making of Masculinities: The New Men’s Studies. Boston, MA: Allen & Unwin, 1987.

  • Brooker, Peter et al. A Reader’s Guide to Contemporary Literary Theory. Harlow: Pearson Longman, 5 2007.

  • Broun, Heywood. „Books.“ The New York Tribune (June 1, 1921), 10.

  • Broun, Heywood. „The Stage and Its People: As We Were Saying.“ The New York Tribune (February 6, 1921), III1.

  • Broun, Heywood. „How They Found Miss Lulu Bett.“ Collier’s. The National Weekly 67.5 (January 29, 1921), 13, 30.

  • Broun, Heywood. „Books.“ The New York Tribune (January 7, 1921), 8.

  • Broun, Heywood. „‚Miss Lulu Bett‘ Is of Fine Fabric Though Often Crude.“ The New York Tribune (December 28, 1920), 6.

  • Brown, John Mason and Montrose J. Moses (Eds.). The American Theatre as Seen by Its Critics, 1752-1934. New York, NY: W.W. Norton & Company, 1934.

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  • Bryan, Mark Evans. „American Drama, 1900-1915.“ A Companion to Twentieth-Century American Drama. Ed. David Krasner. Malden, MA: Blackwell, 2005. 3-17.

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  • Bublitz, Hannelore. Judith Butler zur Einführung. Hamburg: Junius Verlag, 3 2010.

  • Buckner, Timothy R. and Peter Caster (Eds.). Fathers, Preachers, Rebels, Men: Black Masculinity in U.S. History and Literature, 1820-1945. Columbus, OH: Ohio State University Press, 2011.

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  • Bucks, Dorothy S. and Arthur H. Nethercot. „Ibsen and Herne’s Margaret Fleming: A Study of the Early Ibsen Movement in America.“ American Literature: A Journal of Literary History, Criticism, and Bibliography 17.4 (1946), 311-333.

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  • Burke, Sally. American Feminist Playwrights: A Critical History. New York, NY: Twayne Publishers, 1996.

  • Burns, Mantle (Ed.). The Best Plays of 1919-1920. Boston, MA: Small, 1920.

  • Butler, Judith. Körper von Gewicht. Die diskursiven Grenzen des Geschlechts. Aus dem Amerikanischen von Karin Wördemann. Frankfurt am Main: Suhrkamp, 8 2014 [1997].

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  • Butler, Judith. Gender Trouble. Feminism and the Subversion of Identity. New York, NY: Routledge, 1999 [reprint of 1st ed. 1990].

  • Butsch, Richard. The Making of American Audiences: From Stage to Television, 1750-1990. Cambridge: Cambridge University Press, 2000.

  • Cardwell, Douglas. „The Well-Made Play of Eugène Scribe.“ The French Review 56.6 (1983), 876-884.

  • Carrigan, Tim et al. Toward a New Sociology of Masculinity.“ The Making of Masculinities: The New Men’s Studies. Ed. Harry Brod. Boston, MA: Allen & Unwin, 1987. 63-100.

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  • Champion, Laurie (Ed.). American Women Writers, 1900-1945. A Bio-Bibliographical Sourcebook. Westport, CT: Greenwood Press, 2000.

  • Chansky, Dorothy. Composing Ourselves: The Little Theatre Movement and the American Audience. Carbondale, IL: Southern Illinois University Press, 2005.

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  • Chapman, Siobhan and Billy Clark (Eds.). Pragmatic Literary Stylistics. Basingstoke: Palgrave Macmillan, 2014a.

  • Chapman, Siobhan and Billy Clark. „Introduction: Pragmatic Literary Stylistics.“ Pragmatic Literary Stylistics. Eds. Siobhan Chapman and Billy Clark. Basingstoke: Palgrave Macmillan, 2014b. 1-15.

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  • Cherny, Robert W. et al. (Eds.). Making America. A History of the United States. Boston & New York: Houghton Mifflin Company, 4 2006.

  • Chinoy, Helen K.Where Are the Women Playwrights?Women in American Theatre. Eds. Helen K. Chinoy and Linda Walsh. New York, NY: Theatre Communications Group, 1987. 129-131.

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  • Christiansen, Richard. „‚Miss Lulu Bett‘ suffers at the hand of superficial acting.“ Chicago Tribune (January 26, 1988), V5.

  • Clatterbaugh, S. Kenneth. Contemporary Perspectives on Masculinity. Men, Women, and Politics in Modern Society. Boulder, CO: Westview Press, 1990.

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  • Cocks, Catherine et al. Historical Dictionary of the Progressive Era. Toronto: The Scarecrow Press, 2009.

  • Cogan, Frances B. All-American Girl: The Ideal of Real Womanhood in Mid-Nineteenth-Century America. Athens, GA: University of Georgia Press, 1989.

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  • Cohen, Robert. Theatre. New York, NY: McGraw-Hill, 6 2003.

  • Collins, Gail. America’s Women. 400 Years of Dolls, Drudges, Helpmates, and Heroines. New York, NY: Perennial HarperCollins, 2003.

  • Conway, Jill K. The Female Experience in Eighteenth- and Nineteenth-Century America: A Guide to the History of American Women. New York, NY: Garland, 1982.

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  • Cordell, Richard A. Representative Modern Plays: British and American from Robertson to O’Neill. New York, NY: Thomas Nelson & Sons, 1929.

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  • Cott, Nancy F.Domesticity.“ A Companion to American Thought. Eds. Richard W. Fox and James T. Kloppenberg. Malden, MA: Blackwell, 1998. 181-183.

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  • Cott, Nancy F.Passionlessness: An Interpretation of Victorian Sexual Ideology, 1790-1850.“ Signs 4.2 (1978), 219-236.

  • Cott, Nancy F. The Bonds of Womanhood. „Woman’s Sphere“ in New England, 1780-1835. London: Yale University Press, 1977.

  • Craig, Carolyn Casey. Women Pulitzer Playwrights: Biographical Profiles and Analyses of the Plays. Jefferson, NC: McFarland, 2004.

  • Crothers, Rachel. „The Construction of a Play.“ The Art of Playwriting. Lectures Delivered at the University of Pennsylvania on the Mask and Wig Foundation. Ed. Arthur Hobson Quinn. Philadelphia, PA: University of Pennsylvania Press, 1928. 115-134.

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  • Cuddon, John A. The Penguin Dictionary of Literary Terms and Literary Theory. London: Penguin Books, 4 1999.

  • Darr, Brian. „Miss Lulu Bett. Presented at SFSFF 2007.“ San Francisco Silent Film Festival. 2007. URL: http://silentfilm.org/archive/miss-lulu-bett-1921 (zuletzt aufgerufen: 13.12.2019).

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  • Davis, Rebecca L.‚Not Marriage at All, but Simple Harlotry‘: The Companionate Marriage Controversy.“ The Journal of American History 94.4 (March 2008), 1137-1163.

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  • Degler, Carl N. At Odds: Women and the Family in America from the Revolution to the Present. New York, NY: Oxford University Press, 1980.

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  • Degler, Carl N.The Changing Place of Women in America.“ The Woman Question in American History. Ed. Barbara Welter. Hinsdale, IL: Dryden Press, 1973. 133-146.

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  • Demastes, William W. (Ed.). Realism and the American Dramatic Tradition. Tuscaloosa, AL: University of Alabama Press, 1996a.

  • Demastes, William W.Preface: American Dramatic Realism, Viable Frames of Thought.“ Realism and the American Dramatic Tradition. Ed. William W. Demastes. Tuscaloosa, AL: University of Alabama Press, 1996b. ix-xvii.

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  • Denison, Patricia D.The Legacy of James A. Herne: American Realities and Realism.“ Realism and the American Dramatic Tradition. Ed. William W. Demastes. Tuscaloosa, AL: University of Alabama Press, 1996. 18-36.

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  • Derleth, August. Still Small Voice: The Biography of Zona Gale. Illustrated. New York, NY: D. Appleton-Century Company, 1940.

  • Dickinson, Thomas H. Playwrights of the New American Theater. New York, NY: Macmillan, 1925.

  • Dickinson, Thomas H.An Open Letter from Thomas H. Dickinson.“ Miss Lulu Bett. An American Comedy of Manners. By Zona Gale. New York & London: D. Appleton & Company, 1921. ix-xi.

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  • Dithmar, Edward A.Margaret Fleming.“ The New York Times (December 10, 1891), n.p.

  • Dithmar, Edward A.James A. Herne’s Margaret Fleming.“ The American Theatre as Seen by Its Critics, 1752-1934. Eds. John Mason Brown and Montrose J. Moses. New York, NY: W.W. Norton & Company, 1934. 142-147.

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  • Donovan, Deirdre. „Miss Lulu Bett. A CurtainUp Review.“ CurtainUp: The Internet Theater Magazine of Reviews, Features, Annotated Listings. Review. (March 2010). URL: http://www.curtainup.com/lulubett10.html (zuletzt aufgerufen: 13.12.2019).

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  • Douglas, Ann. The Feminization of American Culture. London: Papermac, 1996 [reprint of 1977 ed.].

  • Douglas, George H.Muckrakers.“ The Oxford Companion to United States History. Ed. Paul S. Boyer. Oxford: Oxford University Press, 2001. 520.

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  • Downer, Alan S. Fifty Years of American Drama, 1900-1950. Chicago, IL: Henry Regnery, 1951.

  • Drama“. The Pulitzer Prizes. Honoring Excellence in Journalism and the Arts. Online. URL: https://www.pulitzer.org/prize-winners-by-category/218 (zuletzt aufgerufen: 13.12.2019).

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  • Dye, Nancy S.Introduction.“ Gender, Class, Race, and Reform in the Progressive Era. Eds. Noralee Frankel and Nancy S. Dye. Lexington, KY: University Press of Kentucky, 1991. 1-9.

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