The end of the Second World war did not mean the end of violence for many regions in Eastern Europe. The establishment of Communist-led governments often met not only civil but also armed resistance. These actions were taken by partisan groups and paramilitary forces which in some cases had been formed already during the war to support axis forces. In other cases – like Poland’s Armia Krajowa – they fought Nazi and Soviet occupiers with the same fervour. The aims of the ﬁghters were the end of Communist rule and – like in the Baltic region – independence from the Soviet Union. Diﬃculties in accessing sources and research taboos as well as a focus on other aspects of the Cold War are reasons why violent resistance in Europe after the Second World War is a topic yet rather underestimated and comparably little investigated by historiography. This book gives a comprehensive ﬁrst overview of the ultimately futile attempts to end the rule of Moscow and her proxies.
This book explores the nexus of media and memory practices in contemporary Slovenia. In the age of mediatised societies, the country’s post-socialist, post-Yugoslav present has become saturated with historical revisionism and various nostalgic framings of the past.
Pušnik and Luthar have collected a wide range of case studies analysing the representation and reinterpretation of past events in newspapers, theatre, music, museums, digital media, and documentaries. The volume thus presents insights into the intricacies of the mediatisation of memory in contemporary Slovenian society.
The authors engage with dynamic uses of media today and provide new analyses of media culture as archive, site of historical reinterpretation, and repository of memory.
Inventing the Social in Romania, 1848–1914, Călin Cotoi brings to life several ‘obscure’ anarchists, physicians, public hygienists and reformers roaming the borderlands of Europe and Russia.
The book follows individuals, texts, projects, sometimes even bacteria, traveling, meeting, colliding, writing and talking to each other in surprising places, and on changing topics. All of them navigated the land, sometimes finding unexpected loopholes and shortcuts in it, and emerged in different and unexpected parts of the social, political or geographical space.
Using materials ranging from anarchists’ letters, to social-theoretical debates and medical treatises, Călin Cotoi points to the larger theoretical and historical issues involved in the local creation of the social, its historicity, and its representability.
Im Herbst 1975, auf dem Höhepunkt der Krise an der NATO-Südflanke, schufen die USA, Großbritannien, Frankreich und die Bundesrepublik Deutschland ein neuartiges Konsultationsinstrument zur Koordination ihrer Außenpolitik.
Die Studie untersucht, wie die vier westlichen Führungsmächte diese Vierergespräche auf thematischer wie struktureller Ebene soweit ausbauten, dass diese bis Anfang der 1980er Jahre Züge eines westlichen Direktoriums herausbildeten. Sie zeigt, welche Interessen und Strategien die Vier dabei verfolgten und welche Ergebnisse die Abstimmung zeitigte. Dabei wird verdeutlicht, wie die Vier die Institutionalisierung ihrer Vierergespräche gegen den zeitweise erbitterten Widerstand der nicht beteiligten Bündnispartner vorantrieben. Dies betraf allen voran die italienischen Verbündeten, die ihre Marginalisierung innerhalb des westlichen Bündnisses befürchteten.
Since its publication, Emily Brontë’s
Wuthering Heights has given rise to an unusual plurality of interpretations, leading to the impression that the novel somehow resists interpretation. The author offers a new reading of the novel that takes this effect into account by investigating its reason: ambiguity is a thematic focal point and structural key element of the novel.
This study is concerned with the ambiguity of
Wuthering Heights which arises through a complex interplay of distinct but interdependent ambiguities of perception, narration, and the narrated world. In particular, it shows how specific ambiguous utterances (e.g. a clash of implicatures and presuppositions) are linked with each other and contribute to the global ambiguity of the text. In this way, not only the function of ambiguity for understanding
Wuthering Heights is explored but also the function of
Wuthering Heights for understanding ambiguity. The book should thus be of interest not only to Brontë scholars and Victorianists but also to literary scholars and linguists in general.
The Lost Mirror traces cultural patterns in which the interpretation of learning and education was developed against the backdrop of Hebrew thought.
The appreciation of learning is deeply rooted in the Hebrew way of thinking. Learning is understood as an open and history-conscious engagement of man with culture. The consciousness of history is shaped by the motif of the unavailability of the “other” and the difference to this “other”. This “other” is traditionally remembered as “God”, but may also be reflected in the motifs of the other person or the other society. The Lost Mirror reminds us of a deficit, which is that in our everyday thinking and everyday action, we usually hide, forget and partly suppress the meaning and presence of the unavailable other. The book approaches this thinking through portraits of people such as Janusz Korczak, Martin Buber, Hannah Arendt, Emmanuel Levinas, Jean-Francois Lyotard and others.
This new and revolutionary edition of Origen’s Commentary on Matthew is based on the version in Codex Sabaiticus 232, the most important of all because, unlike the 24 codices consulted by Erich Klostermann in his standard edition of 1941, it contains not only episodic ‘passages’, but also unique flowing text. The same codex also reveals for the first time how heavily Origen’s work was used, and sometimes copied to the letter, by ancient authors. Against the prevailing opinion, Professor Panayiotis Tzamalikos incontrovertibly confirms his long-standing thesis that the Commentary on Matthew is much later than the Contra Celsum.
Origen’s detractors, both ancient and modern alike, in order to show how much of a ‘heretic’ Origen was, point the finger at a garbled, untrustworthy, and heavily interpolated Latin rendering of his De Principiis, whereas reference to his Commentary on Matthew has always been scarce, and Pamphilus’ illuminating and documented Apology for Origen is normally paid almost no attention.
The author demonstrates that, unless the correlations of Origen’s work to both Greek philosophy and subsequent Patristic literature are knowledgeably delved and brought to light, it is impossible to recognise the real Origen, which has far too little to do with current allegations concerning pivotal aspects of his thought. By means of his commentary on this Greek text, P. Tzamalikos, as he did with his previous books, casts light on the widespread and multiform miscomprehension of Origen’s fundamentals, and demonstrates that this is a terra still calling for informed and unbiased exploration.
The present volume provides a critical insight into the relationship of art and war. It shows how artists perceive war and how they depict it, to warn the spectator but to cure their own trauma at the same time.
War causes destruction, loss, and trauma. Many artists have used their art to express feelings and memories related to these losses and their own traumatic experiences. The artwork that came into existence due to such processes reflects on events of our past, but should be considered a warning at the same time. To deal with human suffering means to fully engage with the artist remains of human war experiences. The present volume aims to provide a critical insight into the relationship between art and war, showing how artists dealt with human losses, destruction, and personal trauma.
War creates veterans and societies are reminded by their existence that violent conflicts had been waged in the past. Even when the wars have been long forgotten by many, veterans are the ones whose fate has been tied to war and destruction.
Societies often struggle with their veterans, especially when they have to address the former soldiers’ traumatic experiences and acknowledge the wounds that hurt beyond the body. While veterans are a steady reminder of violent conflicts of the past, they are often ignored by their societies, once peace is achieved. Nevertheless, veterans play an important role in post-war contexts as well and this role, their influence and impact in the supposedly non-violent world need to be addressed. This volume discusses the role of veterans in the aftermath of war and shows how they had been treated by their societies and how the latter ones tried to reintegrate them into their own narratives of the past.
Heiraten über nationale und kulturelle Grenzen hinweg: Solche Liebesbeziehungen, die heute immer häufiger vorkommen, wurden in der Vergangenheit aus unterschiedlichen Gründen auf vielfältige Weise problematisiert. Sie erregten immer wieder die Aufmerksamkeit von Politik, Institutionen und der Öffentlichkeit. Die verschiedenen Formen von Argwohn und Skepsis bieten ein faszinierendes Panorama von Einstellungen und Werthaltungen und ihrem Wandel im Laufe der Zeit.
Das Buch erzählt erstmals die Geschichte der (erfolgten und verhinderten) Eheschließungen Deutscher mit Nichtdeutschen. Dabei konzentriert es sich auf die Zeit zwischen Kaiserreich und dem Ende des Zweiten Weltkrieges. Dieser Zeitraum offenbart, wie umstritten solche intimen Grenzüberschreitungen immer wieder sein konnten. Bürokratische Hürden und ausländerrechtliche Regelungen, zunehmend aber auch eugenisch-rassistische und ethnozentristische Ordnungsvorstellungen haben die Chancen solcher Ehevorhaben stark beeinflusst. Deutlich wird aber auch: Solche Eheschließungen veränderten die Wirklichkeit und Wahrnehmung von Aufnahmegesellschaften und stellen Gewesenes vor verschiedene Herausforderungen.