In Western ecumenical research, the perception of Orthodox theology still suffers from the stereotype of representing a solidified traditionalism. In contrast, Orthodox theology is dominated by the clichéd notion of Western Christianity as modernism contrary to tradition. This overlooks the many interesting and novel research approaches. On the one hand, these are developed at orthodox institutions worldwide in response to modern scientific questions, and on the other hand they reveal the continuity of the Christian heritage in change in Protestant and Catholic drafts. The series aims to provide a forum for these research approaches and thus enrich the ecumenical discussion with contributions that have been written from a culturally and religiously different background. The series focuses on monographs, but is also open to inter- and transdisciplinary scholarly anthologies. It accepts contributions in German, English and French. All manuscripts are peer-reviewed.
Papyrology has always interested scholars of the New Testament and of Christian origins, mainly because of the discovery of papyrus copies of texts from the Christian scriptures. However, what documentary papyri, ostraca, and tablets indicate about issues of everyday Greco-Roman life has also much to contribute to the understanding of early Christ groups. These issues include ancient economy and agriculture, labor and social relations, reading cultures, administration, and a variety of other topics. The PNT series is designed to introduce students and teachers to the value of this material. The volumes provide introductions, evaluations, and conclusions. Many documents are presented in their entirety with an English translation and commentary. The authors cover the state of papyrological research and supplement it with their own conclusions and updates, making the series also of interest to scholars of Papyrology, Biblical Studies, Ancient History, and Classics.
The overarching goal of the Series is to incorporate the history and culture of Roma into the mainstream of European and global academia. To achieve this goal, the series Roma History and Culture publishes books (monographs, edited volumes, and collections of historical sources) from wide range of disciplines – history, ethnography, anthropology, sociology, political science, religion, cultural studies, literature studies, film, and art history, with particular focus on comparative studies – that offer innovative, critical and, above all, reliable and fully documented insights into Roma history and culture that relies on documents, critical rereading and rethinking of historical sources and existing research. This approach marks a critical turn in the academic studies of Roma history and culture that in the past all too often were blighted by stereotypes and myths, especially the specious belief that there are not enough preserved written sources on the Roma past to allow for the emergence of Roma history as a field in its own right. The series thus, shifts and challenges prevailing academic narratives that Roma are nothing else but a detached, marginalised community and a passive object of different state governments’ policies by presenting, analysing and contextualising the agency of Roma as actors in their own right, with their own views and visions of the development for the Roma and their communities. In this way the volumes published in the Roma book series present and contribute to the incorporation of the Roma past and present into the mainstream of European and global historiography instead of confining Roma history and culture to some narrow ethnic box. Research work on the Roma from Central, Eastern and Southeastern Europe constitutes the very academic focus of the proposed Book Series, which aspires to also cover the past and cultures of other communities that have historically been known under the general label “Gypsies”, such as the Sinti, Manush, Kale, Romanichals, Irish and Scottish Travelers, etc.
This new series focuses on the interplay between theological thinking and cultural self-understanding of the Oriental-Orthodox, the Byzantine and the Uniate branches of the Eastern Churches worldwide. The series studies the Eastern Churches' various roles within their mainfold contexts, i.e. either as actors within the transformation-processes in Eastern Europe or as minorities both in the Middle East and in the north American diaspora. By fully acknowledging the role of ritual and hagiography for the ecclesial community-building and the theology of the Eastern Churches the series opens up new approaches to an often-neglected dimension of global Christianity. The series accepts contributions in English, German and French. Each incoming manuscript is evaluated in a peer-reviewing-process conducted by renowned specialists from the editorial and the advisory boards.
Mit dem auf vier Bände angelegten Werk wird erstmalig eine Ikonologie der christlichen Kunst im historischen Ablauf geschildert.
Die komplexe Geschichte des Bildes in der Kirche wird ausgehend von der Intention der Darstellungen auf den verschiedenen Bildträgern aufgezeigt und die Weise der damit verbundenen Argumentation fundiert dargelegt. Eingebettet in allgemeine historische Entwicklungen wird der Wandel der Themenkreise beschrieben. In der Einleitung werden die Prinzipien der Arbeit erläutert. Teil 1 (Alte Kirche) behandelt die Entstehung einer christlichen Bildkunst am Grabe (auf Sarkophagen und in Katakomben) und den späteren Übergang in die Kirchdekoration. Nach gleichen Prinzipien werden in Teil 2 die Bildkunst des Mittelalters, in Teil 3 die der Neuzeit und in Teil 4 die andersartige Entwicklung in der Ostkirche geschildert.
This four-volume work is the first to depict an iconology of Christian art in its historical context.
The complex history of the picture in the church is shown on the basis of the intention of the representations on the different picture carriers and the way in which the argumentation connected with it is soundly presented. Embedded in general historical developments the change of the subject areas is described. In the introduction the principles of the work are explained. Part 1 (Old Church) deals with the emergence of Christian pictorial art at the grave (on sarcophagi and in catacombs) and the later transition to church decoration. According to the same principles, Part 2 describes the pictorial art of the Middle Ages, Part 3 the art of modern times and Part 4 the different development in the Eastern Church.
Das Jahrbuch für Europäische Ethnologie (vormals Jahrbuch für Volkskunde) sieht sich einer Fachidentität verpflichtet, die Volkskunde als europäische Ethnologie vornehmlich im Sinne einer historischen Kulturwissenschaft versteht und darum auch Gegenwartsfragen im Kontinuum der Geschichte diskutiert. Schwerpunkte bilden u. a. religionsethnologische und frömmigkeitsgeschichtliche Untersuchungen, Studien zur Ritual- und Brauchforschung, zur materiellen Kultur und Dinggebrauch, zur Alltagskulturforschung und den dazugehörigen Theoriediskursen.
Journal of Ancient Judaism – Supplements The Journal of Ancient Judaism Supplement Series (JAJS) addresses the history, texts, and religious formations that make up the rich cultural trace extending from the Babylonian Exile through the Babylonian Talmud. This new interdisciplinary series will serve as a forum of discussion for scholars from all scholarly and religious backgrounds. The editors are especially interested in contributions that cover wide-ranging topics through detailed, closelyworked arguments. Between two and four volumes will typically appear each year. Studies that situate particular inquiries in Hebrew Bible, Second Temple Judaism, or Rabbinics within the broader context of academic Jewish Studies are especially welcome, as are collected studies or edited volumes that reflect on the nature of disciplinary boundaries. As a peer-reviewed series, JAJS has an advisory board whose members will anonymously review manuscripts. Submissions will be accepted in English, German, and French.
Die Reihe „Journal of Ancient Judaism Supplements“ ( JAJSup) widmet sich der Geschichte, den Texten und institutionellen religiösen Formationsprozessen, die die reiche kulturelle Spur vom Babylonischen Exil bis zum babylonischen Talmud ausmachen. Die interdisziplinäre Reihe dient als Diskussionsforum für Wissenschaftlerinnen und Wissenschaftler aller Disziplinen. Die Reihe unterliegt dem Peer-Review und akzeptiert Manuskripte in deutscher, englischer und französischer Sprache.