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During the Nazi era, this Westphalian castle became a key venue for gatherings of high ranking SS leaders. After World War II, rumors about occult SS rituals made the place a pilgrimage site of the extreme right. The northern tower’s ornamental sun wheel design, today known as the “Black Sun,” appears in thrillers, comic books, and in the right-wing music scene. It has morphed into a dubious visual element of today’s pop culture and is now familiar to people throughout the world as a symbol of neofascist and alt-right groups. The lavishly illustrated volume traces facts and fiction about the origins and current reception of the myths related to Wewelsburg Castle and the sun wheel symbol.
In 2021, His Beatitude Patriarch Daniel of Romania celebrates his 70th anniversary. A prominent personality, a tireless servant of Christ’s Church, Professor of Dogmatic and Pastoral Theology, His Beatitude Daniel is well known for his deep and open theology, one that has been consistently pursuing dialogue and communion. His vast theological work deals with most of the fundamental aspects of theology and is built upon the living connection between theology, spirituality, the liturgical and missionary life of the Church.
Andrea Hopp betrachtet Johanna, Marie und Marguerite von Bismarck als adelige Akteurinnen aus drei Generationen und wirft ein Licht auf bislang unbeachtete Machtstrukturen in der Familie. So unterschiedlich die drei mit den ihnen zugedachten Rollen umgingen, so einig waren sie sich in ihrem elitären Selbstverständnis, das sie mit ihrem Ehemann, Vater und Schwiegervater teilten. Die Verteidigung hergebrachter adeliger Vorrechte gegen die modernen bürgerlich-liberalen Kräfte erachteten sie daher als zentrale Aufgabe. Insbesondere als emotionale Bezugspersonen wirkten sie sowohl auf den Politiker als auch auf die nachfolgenden Familiengenerationen ein. Nicht zu unterschätzen ist daher auch ihr Einfluss auf die Bewahrung des politischen Vermächtnisses des ersten deutschen Reichskanzlers.
Through a series of life stories, which the author reconstructs with the aid of many new sources, readers discover how certain men and women defined and adapted their loyalties and affiliations, how they fashioned their identities, how they enrolled their linguistic, political, economic, and social resources to build a family and a career. Travelling between Istanbul, Vienna, Trieste, Moscow, Bucharest, or Iaşi, individuals of different backgrounds built their networks across borders, linking people and objects and facilitating cultural transfer and material and social change.
The book Roma Portraits in History, in the form of individual portraits, presents the life trajectory, visions and specific actions put forward by the nascent Roma elite and its leading representatives concerning the present and future of their community. The book is based on a rich source base of key original archival documents, in multiple languages, including Romani language, discovered in countries across the region of Central, Eastern and South-Eastern Europe, all of which showcase ‘Roma elite’ visions and action. To fulfil the general picture case studies of representatives from Spain and the US are also included.
Mark Edward Ruff untersucht die heftigen Kontroversen über das Verhältnis zwischen der katholischen Kirche und dem NS-Regime, die in der Bundesrepublik zwischen 1945 und 1980 ausbrachen – etwa über Rolf Hochhuths Schauspiel „Der Stellvertreter“ von 1963. Er beleuchtet dabei, warum diese kulturellen Gefechte so viel Kraft kosteten, die Schlagzeilen beherrschten, Klagen vor Gericht auslösten und zum Einschreiten von Außenministerien führten. Nach Ruff waren diese Kontroversen über die Beziehung zwischen Kirche und Nationalsozialismus oftmals Stellvertreterkriege um die Positionierung der Kirche in der „modernen“ Welt – in der Politik, internationalen Beziehungen und den Medien. Im Mittelpunkt dieser Auseinandersetzungen standen in den meisten Fällen Konflikte, die durch die gestiegene politische Bedeutung des Katholizismus und die Integration katholischer Bürgerinnen und Bürger in die Mitte der Gesellschaft ausgelöst wurden.
During the first three centuries C.E., σύμβολον (symbol) became a prominent term along with αἴνιγμα (enigma) and ἀλληγορία (allegory) in forming a cosmic formula popular across the Mediterrnean world: symbol encodes the divine mystery in enigmatic forms and allegory decodes them. Having considered Scripture as full of divine symbols, Origen envisioned and practiced allegorical interpretation of Scritpure as a symbolic act of bringing, comparing, and matching its letters under the divine paideia of the Logos-Christ. In seeking three levels of scriptural meaning, Origen construed the cosmos as a tripartite reality and defined the essence of Christianity as a symbolic drama of passage. For Origen, the main actor of this drama is the Logos-Christ in the divine action of gradually leading his bride (i.e., the church) from the visible reality through the invisible reality to the divine reality.
Renegotiating the Sacred attempts to map out the landscape of religious consciousness of the Filipinos in contemporary time by critically rereading both the Western and local thinkers who grappled with this theme. By contesting the predominance of the binary ‘profane-sacred’ as lens of interpretation, especially when it comes to philosophy of religion, this multi-disciplinary research tries to unravel the knots and knurls of the sacred and its entanglement into the dizzying web of socio-cultural structures, political tensions, economic marginalization, and philosophical-theological questions.
The work also offers an opportunity to compare Finland and Lithuania as well as individual minority groups in this respect. Both countries opted for a policy that was quite tolerant by the standards of the time, but not all minorities were treated in the same way. It is evident that changes in political governance also affected the relationship between the majority (titular) population and national minorities.