This new and revolutionary edition of Origen’s Commentary on Matthew is based on the version in Codex Sabaiticus 232, the most important of all because, unlike the 24 codices consulted by Erich Klostermann in his standard edition of 1941, it contains not only episodic ‘passages’, but also unique flowing text. The same codex also reveals for the first time how heavily Origen’s work was used, and sometimes copied to the letter, by ancient authors. Against the prevailing opinion, Professor Panayiotis Tzamalikos incontrovertibly confirms his long-standing thesis that the Commentary on Matthew is much later than the Contra Celsum.
Origen’s detractors, both ancient and modern alike, in order to show how much of a ‘heretic’ Origen was, point the finger at a garbled, untrustworthy, and heavily interpolated Latin rendering of his De Principiis, whereas reference to his Commentary on Matthew has always been scarce, and Pamphilus’ illuminating and documented Apology for Origen is normally paid almost no attention.
The author demonstrates that, unless the correlations of Origen’s work to both Greek philosophy and subsequent Patristic literature are knowledgeably delved and brought to light, it is impossible to recognise the real Origen, which has far too little to do with current allegations concerning pivotal aspects of his thought. By means of his commentary on this Greek text, P. Tzamalikos, as he did with his previous books, casts light on the widespread and multiform miscomprehension of Origen’s fundamentals, and demonstrates that this is a terra still calling for informed and unbiased exploration.
The present volume provides a critical insight into the relationship of art and war. It shows how artists perceive war and how they depict it, to warn the spectator but to cure their own trauma at the same time.
War causes destruction, loss, and trauma. Many artists have used their art to express feelings and memories related to these losses and their own traumatic experiences. The artwork that came into existence due to such processes reflects on events of our past, but should be considered a warning at the same time. To deal with human suffering means to fully engage with the artist remains of human war experiences. The present volume aims to provide a first critical insight into the relationship between art and war, showing how artists dealt with human losses, destruction, and personal trauma.
War creates veterans and societies are reminded by their existence that violent conflicts had been waged in the past. Even when the wars have been long forgotten by many, veterans are the ones whose fate has been tied to war and destruction.
Societies often struggle with their veterans, especially when they have to address the former soldiers’ traumatic experiences and acknowledge the wounds that hurt beyond the body. While veterans are often a steady reminder of violent conflicts of the past, they are often ignored by their societies, once peace is achieved. Nevertheless, veterans play an important role in postwar contexts as well and their role, their possible influence and impact in the supposedly non-violent world need to be addressed. The present volume discusses the role of veterans in the aftermath of war and shows how they had been treated by and how societies tried to reintegrate them in narratives of the past.
Mit dem Ende des Kalten Krieges erschien die Demokratie als klares Erfolgsmodell. Doch die um 1990 begonnene Demokratisierung in Osteuropa, Afrika und Lateinamerika hat allzu häuﬁg mit Rückfällen in autoritäre Systeme geendet. Auch die Hoffnungen auf einen „arabischen Frühling“ wurden weitgehend enttäuscht. China zeigt als größte Nation der Erde keine Anzeichen einer Demokratisierung. Und in Europa und Nordamerika haben populistische Bewegungen, deren demokratische Ausrichtung zumindest zweifelhaft ist, breiten Zulauf. Selbst die ältesten Demokratien stecken heute in der Krise.
Dieses Buch öffnet den Blick auf die beunruhigende Tatsache, dass das Scheitern von Demokratien ein durchaus häuﬁges Phänomen ist, für das die Geschichte reiches Anschauungsmaterial bietet. Ausgewiesene Historiker schildern in kompakten Einzelkapiteln das Ende der Volksherrschaft in Athen, Frankreich, Italien, Deutschland, Spanien, Pakistan, Burma, Chile und Russland. So spannt sich der Bogen vom Ende der ersten Demokratie in Athen über das 19. und 20. Jahrhundert bis zur Gegenwart. Doch nichts ist zwangsläuﬁg: Aus den Fehlern der Vergangenheit lässt sich für die Gestaltung der Zukunft lernen.
Heiraten über nationale und kulturelle Grenzen hinweg: Solche Liebesbeziehungen, die heute immer häufiger vorkommen, wurden in der Vergangenheit aus unterschiedlichen Gründen auf vielfältige Weise problematisiert. Sie erregten immer wieder die Aufmerksamkeit von Politik, Institutionen und der Öffentlichkeit. Die verschiedenen Formen von Argwohn und Skepsis bieten ein faszinierendes Panorama von Einstellungen und Werthaltungen und ihrem Wandel im Laufe der Zeit.
Das Buch erzählt erstmals die Geschichte der (erfolgten und verhinderten) Eheschließungen Deutscher mit Nichtdeutschen. Dabei konzentriert es sich auf die Zeit zwischen Kaiserreich und dem Ende des Zweiten Weltkrieges. Dieser Zeitraum offenbart, wie umstritten solche intimen Grenzüberschreitungen immer wieder sein konnten. Bürokratische Hürden und ausländerrechtliche Regelungen, zunehmend aber auch eugenisch-rassistische und ethnozentristische Ordnungsvorstellungen haben die Chancen solcher Ehevorhaben stark beeinflusst. Deutlich wird aber auch: Solche Eheschließungen veränderten die Wirklichkeit und Wahrnehmung von Aufnahmegesellschaften und stellen Gewesenes vor verschiedene Herausforderungen.
The purpose of the volume is to explore how specific historical and socio-cultura conditions of late antiquity shaped the development of Christian thought.
The authors of the volume analyse various aspects of these conditions, particularly those of a textual and institutional nature, as they are reflected in the hermeneutic and philosophical principles of Christian discourse. This focus sheds new light on unexplored features of Christian literature, such as the influence of manuscript culture, early church institutions and practices, exegetical techniques, and philosophical curricula.
Japan has always been fascinating for foreign observers. This volume will show, how its military has been perceived abroad and what image about the Japanese Army existed between 1853 and 1945 in the minds of those who read and heard stories from the Far East.
When forcefully opened by a US mission in 1853, Japan was transformed by its ruling elites into a strong nation state, whose military and political forces wanted to avoid a colonization by foreign powers. Therefore, Japan’s military capacities were of special interest and the army and navy were westernized very fast. Japanese soldiers became known as “Asia’s Prussians”, and were often described as “gallant enemies”. This image, however, should rapidly change after the First World War. During the battles in China since 1937, and the Pacific since 1941, the Japanese soldiers were often referred to as “devils.“ This volume will take a closer look at the images of Japan’s military abroad to show how these images were created, how they changed and what stimulated the differences with regard to the foreign perception of Japan and its military between 1853 and 1945.
“School as counter-public” is the hermeneutic key with which Ralf Koerrenz interprets the school model of the Jena Plan. Similar to the Dalton-Plan or the Winnetka-Plan, the Jena Plan is one of the most important concepts of alternative schools developed in the first half of the 20th century as part of the international movement for alternative education, the “World Education Fellowship”. Peter Petersen’s “Jena Plan” concept must be understood from his educational philosophical foundations. The didactic levels of action at school (teaching, learning) as well as the reflection of theory in pedagogical practice are made understandable by “school as a counter-public”. Not least with a view to the today’s Jena Plan schools, the question is asked for a context-independent core of what makes a school a Jena Plan school. The opportunities and ambivalences of the model thus become equally visible.
Empirical Form and Religious Function provides a fresh perspective on the rise of empirical apparition narratives in the Anglophone world of the Early Enlightenment era.
Drawing on both well-established and previously unknown sources, Michael Dopffel here offers a fundamental reappraisal of one of the defining narrative genres of the 17th and 18th centuries. Intricately connected to evolving discourses of natural philosophy, Protestant religion and popular literature, the apparition narratives portrayed in this work constitute a hybrid genre whose interpretations and literary functions retained the ambiguity of their subject matter. Simultaneously an empirically approachable phenomena and a religious experience, witnesses and writers translated the spiritual characteristics of apparitions into distinct literary forms, thereby shaping conceptions of ghosts, whether factual or fictional, to this day.
This book aims to create an integral picture of the social, economic and cultural history of the Jews in Lithuania during the course of more than six hundred years – from the Middle Ages to the 1990s. It is a translation of the study “Lietuvos žydai. Istorinė studija” (Engl. “Lithuanian Jews. Historical study”), published in Lithuanian in 2012. The Book was written by an interna-tional group of scholars from Lithuania, Israel, the United States of America and Germany.
The world of Lithuanian Jewry is reconstructed through different aspects of the development of community and society: demography, social and economic activity, self-government institutions of the community, cultural and religious movements, literature and the press, education, discriminative policy of the authorities and relations with the dominant church, segregation, assimilation and changes of identity, anti-Judaism and anti-Semitism, and the Holocaust.