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Through a series of life stories, which the author reconstructs with the aid of many new sources, readers discover how certain men and women defined and adapted their loyalties and affiliations, how they fashioned their identities, how they enrolled their linguistic, political, economic, and social resources to build a family and a career. Travelling between Istanbul, Vienna, Trieste, Moscow, Bucharest, or Iaşi, individuals of different backgrounds built their networks across borders, linking people and objects and facilitating cultural transfer and material and social change.
The book Roma Portraits in History, in the form of individual portraits, presents the life trajectory, visions and specific actions put forward by the nascent Roma elite and its leading representatives concerning the present and future of their community. The book is based on a rich source base of key original archival documents, in multiple languages, including Romani language, discovered in countries across the region of Central, Eastern and South-Eastern Europe, all of which showcase ‘Roma elite’ visions and action. To fulfil the general picture case studies of representatives from Spain and the US are also included.
Communist theory was supposed to lead to a classless society that would thereby overcome nationalism, imperialism, violence, and eventually war itself. Regardless of the theoretical assumption that a communist utopia would end wars forever, communism very often related to war, not only in a theoretical sense, but also in the actual historical process. How communist theorists interpreted war, argued for or against it and tried to sanction the use of violence in the name of a communist utopia are questions for this anthology about an “unnatural interrelationship”. At the same time, the contributions of this volume take a closer look at violent responses against communism during the 20th century.
Mark Edward Ruff untersucht die heftigen Kontroversen über das Verhältnis zwischen der katholischen Kirche und dem NS-Regime, die in der Bundesrepublik zwischen 1945 und 1980 ausbrachen – etwa über Rolf Hochhuths Schauspiel „Der Stellvertreter“ von 1963. Er beleuchtet dabei, warum diese kulturellen Gefechte so viel Kraft kosteten, die Schlagzeilen beherrschten, Klagen vor Gericht auslösten und zum Einschreiten von Außenministerien führten. Nach Ruff waren diese Kontroversen über die Beziehung zwischen Kirche und Nationalsozialismus oftmals Stellvertreterkriege um die Positionierung der Kirche in der „modernen“ Welt – in der Politik, internationalen Beziehungen und den Medien. Im Mittelpunkt dieser Auseinandersetzungen standen in den meisten Fällen Konflikte, die durch die gestiegene politische Bedeutung des Katholizismus und die Integration katholischer Bürgerinnen und Bürger in die Mitte der Gesellschaft ausgelöst wurden.
The publication contributes new knowledge of the history, ritual practices, beliefs and customs of the Qorčin (Khorchin) Mongol shamans of eastern Inner Mongolia in particular. It focuses on 21 shamanic songs performed for different purposes. They are sung by 8 shamans who were born in the first decades of the 20th century. The Mongol texts of the songs are supplied with an English translation, extensive commentaries, and melodies in numeric notation. The author analyses the 21 songs by making use of passages from songs belonging to the repertoire of other Qorčin Mongol shamans. The 21 songs were placed within a broad framework of Mongolian oral legends and heroic epics, showing that they also evoke themes recurring in different contexts. The book contains 18 photos taken by the author during field trips among the Qorčin shamans.
During the first three centuries C.E., σύμβολον (symbol) became a prominent term along with αἴνιγμα (enigma) and ἀλληγορία (allegory) in forming a cosmic formula popular across the Mediterrnean world: symbol encodes the divine mystery in enigmatic forms and allegory decodes them. Having considered Scripture as full of divine symbols, Origen envisioned and practiced allegorical interpretation of Scritpure as a symbolic act of bringing, comparing, and matching its letters under the divine paideia of the Logos-Christ. In seeking three levels of scriptural meaning, Origen construed the cosmos as a tripartite reality and defined the essence of Christianity as a symbolic drama of passage. For Origen, the main actor of this drama is the Logos-Christ in the divine action of gradually leading his bride (i.e., the church) from the visible reality through the invisible reality to the divine reality.
Renegotiating the Sacred attempts to map out the landscape of religious consciousness of the Filipinos in contemporary time by critically rereading both the Western and local thinkers who grappled with this theme. By contesting the predominance of the binary ‘profane-sacred’ as lens of interpretation, especially when it comes to philosophy of religion, this multi-disciplinary research tries to unravel the knots and knurls of the sacred and its entanglement into the dizzying web of socio-cultural structures, political tensions, economic marginalization, and philosophical-theological questions.
Pointing out the intricate interconnetion with the various practices of education this volume offers in-depth studies of war and education in several chronological and geographical contexts. Tying in with the latest state of the art the authors offer examples for education for war, education in war and education for reconciliation in the aftermath of wars from a global perspective.
The work also offers an opportunity to compare Finland and Lithuania as well as individual minority groups in this respect. Both countries opted for a policy that was quite tolerant by the standards of the time, but not all minorities were treated in the same way. It is evident that changes in political governance also affected the relationship between the majority (titular) population and national minorities.