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The Origins of the Notion in Gregory of Nyssa and its Influence unto the Italian Renaissance
This book explores the invention, significance and actual history of self-creative freedom from Late Antiquity to the Renaissance.
Gregory of Nyssa, the great Cappadocian Father of the IV century, is not as yet deemed one of the outstanding figures in our Histories of Philosophy. However, this monograph argues that his remarkable theories of freedom transcend his own time and, traversing centuries of Medieval and Byzantine history, they become one of the core theoretical inspirations for the anthropological revolution of the Quattrocento, as evinced in eminent philosophers such as Nicholas of Cusa and Giovanni Pico della Mirandola. Our research methodology integrates a thorough study of the Greek and Latin sources ‒ resorting to Philology, Palaeography and Codicology ‒ with a systematic historical and philosophical analysis of different theories and argumentative strategies.
Gregory of Nyssa, the great Cappadocian Father of the IV century, is not as yet deemed one of the outstanding figures in our Histories of Philosophy. However, this monograph argues that his remarkable theories of freedom transcend his own time and, traversing centuries of Medieval and Byzantine history, they become one of the core theoretical inspirations for the anthropological revolution of the Quattrocento, as evinced in eminent philosophers such as Nicholas of Cusa and Giovanni Pico della Mirandola. Our research methodology integrates a thorough study of the Greek and Latin sources ‒ resorting to Philology, Palaeography and Codicology ‒ with a systematic historical and philosophical analysis of different theories and argumentative strategies.
Art, Material Culture, and British-Russian Relations
Volume Editor:
“Courtly Gifts and Cultural Diplomacy” explores the history of British-Russian state relations from the perspective of art and material culture. This richly illustrated book presents manifold practices of courtly gift-giving and vivid case studies of British-Russian artistic diplomacy over the centuries. It traces a visual and material history of cross-cultural dialogue that starts with an early English map of Russia made in the 16th century and ends with gifts of Fabergé art objects and domestic photographs exchanged between the British royal family and the family of Tsar Nicholas II in late Imperial Russia. Twelve expert authors from academia, the arts, and the museum sectors in Britain, Russia, and the United States present new narratives and critical interpretations based on material from previously unexplored archives. Their diverse approaches reveal the importance of artistic diplomacy and the agency of gifts of art and material culture in courtly and state relations.