Price:
[GER] €69.00net €64.49[US] $79.00
Browse results
Eine Untersuchung anhand der Rechtsprechung der Römischen Rota
Das kirchliche Prozessrecht manifestiert sich in einem detailreichen Normenkomplex, der nur selten in den Blick wissenschaftlicher Untersuchung gerät. Grund genug, einigen Detailfragen Raum zu geben, die gleichzeitig paradigmatische Problemanzeigen für den gegenwärtigen Zustand kirchlicher Rechtskultur darstellen.Neben der eigentlichen Hauptsache können im kanonischen Prozess auch so genannte akzessorische Fragen auftreten, die von der Hauptsache abhängig sind, aber eine eigene richterliche Entscheidung verlangen. Die auf derartige Fragen fokussierte Untersuchung der Rechtsprechung der Römischen Rota offenbart einen höchst bedenklichen Zustand des geltenden Prozessrechts. Ist der Untergang des kanonischen Prozesses längst besiegelt?
The book presents the annotated texts of 21 songs of Eastern Mongol shamans. The transcriptions are kept in the Archives of Oral Literature of the Northrhine-Westphalian Academy of Sciences and Arts in Düsseldorf.
The publication contributes new knowledge of the history, ritual practices, beliefs and customs of the Qorčin (Khorchin) Mongol shamans of eastern Inner Mongolia in particular. It focuses on 21 shamanic songs performed for different purposes. They are sung by 8 shamans who were born in the first decades of the 20th century. The Mongol texts of the songs are supplied with an English translation, extensive commentaries, and melodies in numeric notation. The author analyses the 21 songs by making use of passages from songs belonging to the repertoire of other Qorčin Mongol shamans. The 21 songs were placed within a broad framework of Mongolian oral legends and heroic epics, showing that they also evoke themes recurring in different contexts. The book contains 18 photos taken by the author during field trips among the Qorčin shamans.
The publication contributes new knowledge of the history, ritual practices, beliefs and customs of the Qorčin (Khorchin) Mongol shamans of eastern Inner Mongolia in particular. It focuses on 21 shamanic songs performed for different purposes. They are sung by 8 shamans who were born in the first decades of the 20th century. The Mongol texts of the songs are supplied with an English translation, extensive commentaries, and melodies in numeric notation. The author analyses the 21 songs by making use of passages from songs belonging to the repertoire of other Qorčin Mongol shamans. The 21 songs were placed within a broad framework of Mongolian oral legends and heroic epics, showing that they also evoke themes recurring in different contexts. The book contains 18 photos taken by the author during field trips among the Qorčin shamans.
A New Foundation for the Study of Parables
The Fables of Jesus in the Gospel of Luke introduces the world of the ancient fable to biblical scholarship and argues that Jesus’s parables in Luke’s gospel belong to the ancient fable tradition.
Jesus is regarded as the first figure in history to use the parable genre with any regularity—a remarkable historical curiosity that serves as the foundation for many assumptions in New Testament scholarship. The Fables of Jesus in the Gospel of Luke challenges this consensus, situating the parables within a literary context unknown to biblical scholarship: the ancient fable. After introducing the ancient fable, the “parables” of Jesus in Luke’s gospel are used as a testing ground to demon - strate that they are identical to first-century fables. This challenges many conven - tional assumptions about parables, Luke’s gospel, and the relationship of Jesus to the storytelling traditions of the Mediterranean world. This study offers multitudes of new parallels to the otherwise enigmatic parable tradition, opens an exciting new venue for comparative exploration, and lays a new foundation upon which to study the fables of Jesus.
Jesus is regarded as the first figure in history to use the parable genre with any regularity—a remarkable historical curiosity that serves as the foundation for many assumptions in New Testament scholarship. The Fables of Jesus in the Gospel of Luke challenges this consensus, situating the parables within a literary context unknown to biblical scholarship: the ancient fable. After introducing the ancient fable, the “parables” of Jesus in Luke’s gospel are used as a testing ground to demon - strate that they are identical to first-century fables. This challenges many conven - tional assumptions about parables, Luke’s gospel, and the relationship of Jesus to the storytelling traditions of the Mediterranean world. This study offers multitudes of new parallels to the otherwise enigmatic parable tradition, opens an exciting new venue for comparative exploration, and lays a new foundation upon which to study the fables of Jesus.
Editorial Board / Council Member:
Marco Frenschkowski, Sidney Griffith, Margareta Gruber, Sebastian Günther, Hajj Muhammad Legenhausen, Ömer Özsoy, Johannes Pahlitzsch, Stefan Schorch, and Holger Zellentin
Die vorliegende Reihe leistet einen Beitrag zur historischen und theologischen Koranforschung. Sie will damit Arbeiten fordern, die zu einem tieferen Verständnis des historischen Kontextes der koranischen Verkündigung beitragen und dabei helfen, die koranische Theologie im spätantiken Milieu zu verorten. Im Spannungsfeld religiöser Diskurse der Spätantike wird derart die Genese und Stoßrichtung der koranischen Theologie in den Blick genommen und mit der traditionellen islamischen Exegese und den theologischen Einzeldisziplinen ins Gespräch gebracht. Derart sollen auch neue Impulse für religionstheologische Diskurse im Islam, Christentum und Judentum geschaffen werden. Um diese Ziele zu erreichen, werden insbesondere Forschungen und Studien berücksichtigt, die eine methodische und philologische Expertise aus unterschiedlichen Disziplinen (Arabistik, Byzantinistik, Kirchengeschichte etc.) und Theologien (Islam, Christentum, Judentum) in Anschlag bringen.
Abstract
This article will look at the ideology of veganism in the AHIJ. Since the early 1970s their diet has been a core part of their ideology and of their message to the world. Acknowledging that a black/Jewish meat-free diet is far from the exclusive property of the group, let alone a new development on their part, I will argue that it is an expression of the syncretic “bricoleur” nature of Black Israelite thought (Dorman 2013), reflecting, drawing on, and transforming traditions existing in both African American and Jewish thought in and before the twentieth century – principally articulated as a concern for health in the former and a messianic return to the peaceful Edenic existence in the latter. However, Ben Ammi skillfully intertwines it into their theology by arguing that a return to the veganism of the Garden of Eden is part of the community’s redemption of humanity from primordial sin and ultimate overcoming of the curse of death.
Die Reihe ist mit Band 18 abgeschlossen.