The battles of the First World War created a fundamentally new impression of war. Total warfare, the use of propaganda, chemical weapons, and every possible other measure to ensure victory defined the event that should later be known as the »Great War«, because it caused so many deaths and much suffering. The catastrophe also had an impact on the humanities, which inevitably had to deal with the processing of an event that seemed to be too big to be clearly understood by the human mind. The present volume covers several interdisciplinary perspectives by dealing with the impact of the war on the humanities during and after the conflict that deeply influenced the mindset of the 20th century.
In the #MeToo era, the scourge of sexual violence in society has come into new focus. It has become clear that women and men have been, and are, victimized to an extent that many had previously not realized. But this invisibility has largely been aided by a history of silencing victims and of impunity for perpetrators. Wartime and military sexual violence has similar patterns of invisibility, silence and impunity. Furthermore, sexual violence in wartime and beyond is a phenomenon that cannot be divorced from broader social, economic and political issues. It is this dual focus on sexual violence itself and its contexualization that lies at the heart of this volume. This volume probes new directions in understanding sexual violence during conflict, as well as analyzing ethnicity, masculinity and their relationships to sexual violence.
A crucial collection of new insights into a topic too often ignored in military history: the close interrelationship between cities and warfare throughout modern history. Scenes of Aleppo’s war-torn streets may be shocking to the world’s majority urban population, but such destruction would be familiar to urban dwellers as early as the third millennium BCE. While war is often narrated as a clash of empires, nation-states, and ‘civilizations’, cities have been the strategic targets of military campaigns, to be conquered, destroyed, or occupied. Cities have likewise been shaped by war, whether transformed for the purposes of military production, reconstructed after bombardment, or renewed as sites for remembering the costs of war. This conference volume draws on the latest research in military and urban history to understand the critical intersection between war and cities.
The series (Hi)Stories is an English publication project that deals with interdisciplinary questions in the field of War Studies.
Its main purpose is to highlight issues relating to war not only from a historical, but especially from a cultural perspective. It therefore focusses on the relationship between war and factors such as geography, gender roles, literature, art etc. Focusing on the papers delivered at a number of international conferences (e.g. War and Geography 2015, War and Rape 2016), the new series is an international forum for the publication of qualitative research works (dissertations or habilitations).
English was chosen as the language of publication in order to secure and reach an international audience and to provide a global network of researchers in the field of War Studies.
War is always related to many different aspects, e.g. religion, technology etc. However, one of the aspects of central importance for the history of warfare is geography. The present volume will analyze this interrelationship from several different perspectives.
Geography is not only integral to the planning of tactics and strategies, but plays an important role in the outcome of war and its longterm aftermath. Furthermore, the interplay between war and geography is not purely a modern phenomenon but can be traced back through the ages of history. Geography always had the potential of providing an advantage or disadvantage.
The aim of the volume is to grant historical perspectives on that special interrelationship in different time periods and regional settings. The purpose is to provide a deeper insight and an interdisciplinary discussion, which will open new perspectives on military history in general and the history of warfare in particular.
With the end of the Second World War, all its violence, war crimes, and sufferings as well as the atomic threat of the Cold War period, societies began to gradually remember wars in a different way. The glorious or honorable element of the age of nationalism was transformed into a rather dunning one, while peace movements demanded an end of war itself.
To analyze these changes and to show how war was remembered after the end of the Second World War, the present volume assembles the work of international specialists who deal with this particular question from different national and international perspectives. The contributions analyze the role of soldiers, perpetrators, and victims of different conflicts, including the Second World War. They show which motivational settings led to the erection of war memorials reflecting the values and historical traditions of the second half of the 20th and the 21st centuries. Thus, this interdisciplinary volume explores how war is commemorated and how its actors and victims are perceived around the globe.