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Author: Syrago Tsiara

Abstract

This article examines Vera Mukhina’s career as an unusual example of an avant-garde artist who became a leading exemplar of Socialist Realism, with her Worker and Collective Farm Woman (1937). The author argues for a re-examination of Socialist Realism, exploring not only its violent breach and discontinuities with the avant-garde, but also the links connecting these different art forms in their historical development.

In: Experiment